- Nov 28, 2024
- 2 min read
For the 40th anniversary of my migration to America, my way of expressing Thanksgiving is sharing the meaning and technology of Parol making.
Before I moved to America, I was a renowned pop-ed educator in the Philippines. I was connected to IBON Databank, Education Forum, and the Nationalist Alliance. After the 1986 People Power, I co-founded Institute for Popular Democracy (IPD) and Popular Education for People’s Empowerment (PEPE) and joined the faculty of Education for Life Foundation/ Paaralang Bayan.
When I moved to Los Angeles in 1984, I was involved with Solidarity with Nationalist Alliance, Alliance for Philippine Concerns, and created and produced a musical play “Ang Pag-Ibig sa Tinubuang Lupa at Ang Pakikipagsapalaran ni Juan sa America” by Salinglahi.
This is my longing (for the homeland) phase of my migration story.
In 1988, I moved to the Bay Area; first in Oakland and got connected with the Philippine Resource Center in Berkeley, and then moved to Daly City and led the Daly City Filipino Organizing Project and co-founded the Pilipino Bayanihan Resource Center.
It was in San Francisco, however, where I found my heart again. I was involved with the non-profit Filipino oriented community based agencies and programs, to name a few, Pilipino Early Intervention Program, West Bay, Galing Bata, Filipino American Development Foundation, and Bayanihan Community Center. I became a Wildflower Fellow, and received a fellowship which resulted in producing my book “SoMa Pilipinas in Two Languages” and the guide book “Ethnotour of SoMa Pilipinas.”
I contributed many columns and articles to the print media based in the Bay Area, among them were the Manila Bulletin USA, Philippine News, Manila Mail, Filipino Insider, and Pinoy Pa Rin Kami Entertainment Magazine.
I was in the San Francisco’s Citizen Planning Task Force that proposed SoMa Pilipinas as Social Heritage Special Use District. In 2016, the City and County adopted SoMa Pilipinas as the Filipino Cultural Heritage District in San Francisco. A year later, the California Arts Council selected SoMa Pilipinas as one of the 14 cultural districts in the State.
I founded and directed the Parol Lantern Festival in 2003. We are celebrating its 22nd annual edition on December 14 at Yerba Buena. The theme of this year is Passing the Torch, Forward in Light.
My migration story is about the continuing thread of longing and belonging. My pop-ed educator in me has transformed the art and craft of parol making activity into a community education and engagement in the discourse of longing and belonging.
For my 40th anniversary in America, I will share to you the deeper meaning and technology of Parol making in our lives.