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By MC Canlas posted in FB 5/20/2023

I am celebrating my birthday on May 22.

Although, I consider myself as a true-blue Gemini with a double-two day of birth, it is the power of three that I follow dearly and profoundly in life.

Take my philosophy of life. It is LOST for Living Life (that is) Open, Sincere and True. For having OST as my guidance in everyday living on earth, OST always finds way for me not to be a lost soul. A lost soul is a person who seems to lack direction or a sense of belonging in life. OST makes me a soulful person.

In my popular education work I adhere to the Context-Content-Method. For my faith, I believe in God the Father, the Son, and the Holy Spirit. Using the tripartite view of history, reflecting on my life journey, I am now on my third period. My periodization varies.

The most obvious is my location. Homeland (from Birth to 1984), Immigrant’s land (1984 to 2023), and binational homebase (2023 to present). This is where I am sharpening my concept and spatial framework of a sense of longing and belonging. Connected to location is my travel passport identities and citizenships (Philippines, USA, dual).

I always tell my friends and in my writings that I am originally a reluctant immigrant. I am a Makabayan Tibak (MT) with steadfast commitment to “Pag-ibig sa Tinubuang Lupa,” and during my youthful age, it was even instilled in my mind and in my heart “ang mamatay ng dahil sa iyo,” and “Filipinos are worth dying for.”

Why did I move and live in America in the midst 1980s, when the Philippine political crisis is looming, and social revolution is knocking at the door in the national capital region? Why go to America, the home of Uncle Sam that has ravaged our Inang Bayan and beguiled our anak-bayan?

Immigration is a double-edged sword for most families: To better the life of a family, family members are separated. The dream of my parents and my siblings is family reunification. I know I am a good son and a loyal brother to my siblings, and who am I to subvert this dream when my visa for unmarried children was offered?

The consolation and resolution of my immigration dilemma also came from my elder sister. “Basta makapunta ka rito, at may green card ka na, tapos na ang obligasyon ko sa pamilya, nasa iyo if you stay or not in America.” In other words, my green card fulfills our family’s dream, but it is also a green light where I would want to go, live, and spend my community activism and passions.

But having a green card brought more questions than answers to my predicament. A few weeks after my newly arrived siblings saw the beauty and wealth of America, they were expected to find jobs and work. And they did. How about me? I was still a reluctant immigrant. In my mind, if I find a job and work, it means I would stay, and if I stay, it means I would not be in the forefront in the social movement in the homeland.

What compounded my dilemma is the freeway culture of Los Angeles, California. I am not only a reluctant immigrant, but there is reluctance in me to drive a car. My logic is simple: If I drive, I need money to pay for the gas, insurance, parking, and car related expenses, therefore I need to earn and find a job. If I find a job and work, it means I would stay, and if I stay, it means I would not be in the forefront in the social movement in the homeland.

I do not drive. And when people ask me why I do not drive, my casual answer is “it is my religion.” People are "religious" about all sorts of things - science, energy, success, food, fashion, wealth, themselves. Hearing that from me, perhaps, it may imply my attitude to public transportation, capitalism, climate change, consumerism etc.

However, this “religion” of mine of not driving a car led me to appreciate and live in San Francisco.

My life in San Francisco is another story.

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There are three months in a calendar year when Filipino history, community legacy, contributions and accomplishments are highlighted and well celebrated. We have June to celebrate the Philippine Independence Day (June 12, 1898 from Spain), and the birthday of Dr. Jose Rizal. October, since 1992, is celebrated as the Filipino American History Month while May is celebrated as the Asian Pacific American Heritage Month.


I spent my Saturday morning walk by visiting the SFMTA transit shelters to see the installation of Finding Filipino, the second of four poster installments that have been commissioned for the 2023 Art on Market Street Poster Series program by the San Francisco Arts Commission.

Finding Filipino features 9 illustrated vignettes by Oakland-based artist Rina Ayuyang that commemorate the history and contributions made by the Filipino community in San Francisco. The works will be on view along Market Street between 7th and Steuart streets at 15 SFMTA transit shelters through June 2023.


"The second poster series in our 2023 Art on Market Street Poster Series program is a poignant tribute to the rich legacy of the Filipino community in San Francisco,” said Ralph Remington, Director of Cultural Affairs. “The artist’s stunning artwork and personal storytelling helps spotlights the numerous contributions of Filipino Americans and offers a glimpse into the many facets and traditions of their community."


The nine posters in Finding Filipino highlights various San Francisco neighborhoods, landmarks, and annual events around the City as they relate to Filipino American history, culture, and community. As one of the largest Asian groups in California, the Filipino community has faced a constant struggle for representation, especially in media and politics. Ayuyang believes that the Poster Series is an ideal platform to raise awareness of the Filipino community's stories of adversity, while also celebrating its triumphs.


As historian and a community strategist, I find the Finding Filipino poster series as a good introduction in learning and understanding the history of our people and the designation of SoMa Pilipinas as Filipino Cultural Heritage District in San Francisco and in California. I encourage and invite you and your relatives and friends to visit San Francisco to see these Finding Filipino art works.



  • Apr 15, 2023
  • 5 min read

On a sunny afternoon of April 13, 1973, exactly fifty years ago today, the graduating class of Jose Abad Santos High School bade goodbye to their Alma mater.

While I was preparing my notes in conjunction with our Golden Anniversary Grand Reunion and homecoming, this message from the Assistant Principal Mrs. Soledad A. David printed in The Pampangan 1972-73, caught my attention:


“To this year’s graduates, congratulations and continued good luck. Today you join the legions of young boys and girls who leave the protective roofs of their Alma Mater to venture toward a broader, more complex world.”


What I pondered about her message are these two phrases - “continued good luck” and “a broader and more complex world.”


In many ways, the Class of 1973 has the most unique experiences among graduating batches in the post war educational system in the Philippines. We consider our JASHS’73 batch exceptional. Naiiba and katangi-tangi.


We share with other schools’ Class of 1973 the conjunctures of our nation’s history.

First, we were the first high school students to graduate under Martial Law. It also meant that we were the high school seniors when Martial Law was declared and imposed in September of 1972 in the Philippines. We have batchmates who were arrested, jailed, and even disappeared when Martial Law was imposed.


Second, President Ferdinand Edralin Marcos was the president when we had our commencement exercise. He was re-elected for his second term in 1969 when we were Freshmen. After 50 years and many historical dramas in between our nation’s history, including his ouster by a people power EDSA uprising in 1986, and as we, the Class of 1973, are celebrating our Golden Anniversary, we have his son Ferdinand Romualdez Marcos JR (BBM) as president of the Republic. In other words, our bookends are Marcos - Marcos Nuon, Marcos Pa Rin.


Third, most of the graduates of high school class of 1973 are just a year older than BBM (1957), although I am very sure we have a different experience dealing with our later teen years under Martial Law. To name a few, we invented the term and party protocol “stay-in.” We are a generation that grew up with the music of the Beatles, Motown, Rock and Roll, The Carpenters, Burt Bacharach, Simon and Garfunkel, Don Maclean, and many more great and timeless pop music. And yet, to hold dance parties, we must consider the restrictions brought about by the imposition of curfew in our community. It was either you start late afternoon and have partygoers leave the place an hour before the 10 o’clock curfew or have them stay safely at the party place and just leave after the curfew, which was usually at 4 am. Hence, such terms as “stay-in party” and “pa-morningan” became our secret code in holding dancing parties.


This is perhaps what Mrs. David’s message inferred fifty years ago as we face our life’s challenge in venturing into a broader and more complex world.

And what about Mrs. David’s message of “congratulations and continued good luck” to JASHS ’73?


It should be noted that the 1972-73 school year was extended due to two “no school” or “school closed” episodes. The first was the suspension of classes for several weeks in July and August in Pampanga (most of Luzon and Metro Manila) due to the massive floods, heavy rainfall, and storms, while the second time was when all schools were closed in compliance with the Letter of Instruction from Department of Education following the order of the martial law administration.


Also, the Class of 1973 was the Senior class who underwent the pilot test for the National College Entrance Examination (NCEE), which was abolished in 1994. The test conducted was called FAPE. FAPE stands for Fund for Assistance to Private Education, which also played a part in the development of the first National College Entrance Examination (NCEE). The Class of 1974 took the first NCEE.


We were fortunate as a class to experience the pre-Martial Law extracurricular activities in high school. From 1969 to 1973, the boys had options to join boy scouts training (Boys Scouts, Explorer Scouts and Air Scouts), Glee clubs, and PMT (Preparatory Military Training)., while the girls had Girl Scouts, Home Economics, and Glee Club. We did not have CAT (Citizens Army Training) while (CIVAC) Civic Action was still being developed.


This is particular to JASHS ’73. We were the last batch that was grouped into class sections that were labeled numerically. Every student is assigned a section based on students’ Grade Point Average. Those with higher GPA's were placed in Section 1 while the rest were sent to succeeding numbers which unfairly labeled students in hierarchy as from “lower sections” to “higher sections”. Thankfully, this system was terminated after our graduation.


Eventually, the system was modified for JASHS ’74 where names of flowers were used instead of numerals to designate each section.


Our Alma Mater, Jose Abad Santos High School, is the renowned Pampanga High School, which was established in 1902 following the public education campaign of American occupiers. Almost 600 American teachers, commonly known as the Thomasites, arrived in the Philippines in 1901. Our hometown was one of the recipients of these Thomasites, and classes were held in a large house in downtown San Fernando. To accommodate more students, the school was later moved to a building near the Provincial Capitol, in Barrio Santo Nino, and in 1937 the classes were once again moved to new facilities in Barrio Lourdes (Teopaco Subdivision).


It is important to note that the facilities along High School Boulevard became known as the main building while the school site near the Capitol served as its Annex. During our time, the Annex was exclusively for senior students, making our graduating batch more intact and closer to one another, and having a sense of independence from the rest of the student body and administration of JASHS.


Even during our time, JASHS was a premier public high school in Pampanga. JASHS was well represented in provincial and regional athletic meets, sporting events, academic competitions, and science fairs.


Looking at the profile of JASHS graduating class of 1972-73 as presented in The Pampangan, there were 1114 graduates spread in 25 sections with an average of 40 students per section; 562 are males and 552 are females. Our batchmates come from 14 towns and 1 city of our province just to attend our school. As expected, San Fernando has the most (60%), followed by Bacolor (12%), Sto Tomas (11%), Mexico (7%), and San Simon (3%).


I was surprised to hear from Principal Lyn Esguerra, our guest during the grand reunion celebration, that there are now more than 13,000 students and more than 500 faculty in our Alma Mater, which is now known as Pampanga National High School with six year-levels housed in almost the same land area but more buildings along High School Boulevard. There is no more Annex, and the old school building is being reconstituted as a historical and heritage museum.


What makes JASHS’73 exceptional? As members of the Class of 1973, we were exposed and very much influenced by the social and political climate of our times, 1969 to 1973. Our “continued good luck” of surmounting difficulties through our closeness and caring for each other, open to challenges and innovations. Our batch has produced very successful entrepreneurs like Alfredo Patawaran, Rosalie Naguit, Danton Dizon, and Carmelita Santos, and a number of successful professionals, teachers, those in government services and law enforcement. We also have batchmates who migrated to different parts of the world.


Our times in our Alma Mater have germinated the revolutionary spirit in us. The revolutionary spirit is expressed in various ways, but the common denominator is caring for each other, sincerely serving and helping our fellow men and women, and our faith in God.


The JASHS’73 Golden Anniversary Grand Reunion theme is Together Then, Together Now (Solid as Gold). Our batch is exceptional, and we are proud to claim, “JASHS ’73, We are One.”

© MC Canlas 2022 Site By Sophia C.
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